Hendrik Gerritsz Pot, (c. 1580, Amsterdam - buried 15 October 1657, Amsterdam), was a Dutch painter. He lived and painted in Haarlem, where he was an officer of the militia. Dutch artist Frans Hals painted Pot in militia garb in Hals' The Banquet of the Officers of the St George Militia Company (c. 1639). Pot is the man reading a book on the far right.
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Pot spent his early years in Amsterdam and Haarlem. In 1632 he traveled to London, where he painted the Royal Family. He lived from 1633 to 1648 in Haarlem, after which he moved to Amsterdam, where he died in 1657.[1]. In Haarlem he served as Dean in the City’s Painters Guild in 1626, 1630 and 1635. He served as the Guild's Hoofdman in 1634 and 1648.
Pot was probably a pupil of Karel van Mander, as was Hals, and they influenced each other. Pot’s paintings were sometimes allegorical in subject and he also painted group portraits, such as his own 1630 group portrait, Officers of the Civic Guard of Saint Adrian (shown). He was also influenced by painter and engraver Willem Buytewech.
Pot was commissioned in London to paint portraits of King Charles I and Queen Henrietta Maria in 1632; the results now hang in the Royal Collection in London.
Pot’s style in genre scenes became known as ‘Merry Company’’ genre paintings. This included his 1635 piece, Portrait of a Young Woman, and a companion piece, now lost, as well as his 1630 piece, A Merry Company at Table. Both these paintings contain several objects considered sensual symbolism. A Merry Company at Table was set in a brothel, a popular theme in Dutch Genre style.
The latter piece also contains a common theme addressed in Pot’s works; beauty, age and death. This theme culminates in his well-known piece Allegory of Vanitas, usually referred to simply as Vanity, and which also contains motifs and symbols of sensual love. Other well-known Pot works are A Startling Introduction, The Coin Collector and Flora’s Wagon of Fools (shown), in which he poked fun at the fledgling tulip trade in Haarlem, where for a short while the floral was sold by weight.
His more standard, though still stylish, portrait works include his Portrait of Sir Robert Phelips and his works of the King and Queen of England.
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